WAT SAO CHING CHA (วัดเสาชิงช้า)
Wat Sao Ching Cha or the Monastery of the Swing Post is a defunct temple formerly
located on the city island in present Pratu Chai Sub-district, in the vicinity of the
Bridge. This zone was the Brahman area of the city and the site must have been likely a
Brahman temple.

Following a map of the 19th century the monastery was situated on the east bank of
Khlong Pratu Jin and partly along the road the French called 'Rue des Maures' or 'Moor
Street', which is now more or less the present Pa Thon Rd (more or less as the ancient
road did not have the width of the present lane).
Wat Khok Rak (defunct) stood on its
east, while Wat Khok Sua (defunct) stood in the south.

Historical data about the monastery and its construction are unknown. The
19th century
map indicates no existence of a chedi or prang. The temple is not mentioned on Phraya
Boran Rachathanin's map drafted in 1926, though he mentions a location called Thewa

The name of the temple refers to a post or posts of a swing. It could as thus be that on
this location a large swing was installed in ancient days to enact the Brahman rite
. The swing was an enormous permanent erection between 25 and 30 meters
high, which stood on a grassy plot in front of the Brahman temples. It consisted of a pair
of great red-painted teak pillars, like ship's masts, which slope slightly inwards, and were
joined at the top by carved cross-pieces. [1] It is possible that the location called
by Phraya Boran Rachathanin on his map drafted in 1926, was part of the above
temple. The construction of the present Pa Thon Rd, unfortunately made away with a lot
of historic evidence.

The swing must have been in the immediate vicinity of the Thewa Sathan shrine at par
with the Bangkok Giant Swing built in 1784 and positioned in front of the Thewa Sathan
shrine in Bangkok by order of King Rama I in order to observe yearly the Brahmin New
Year Ceremony. (1) The ceremony was abolished in 1931 due to economic problems.
(2) [2]

Making an assessment of all the monastic structures, in the zone demarcated by Chikun
Road, Pa Thon Road, Pridi Banomyong Road and U-Thong Road is rather difficult, as
the position and name of the structures vary on different maps. On a 19th century map,
there are 15 structures counted, while on the 20th century PBR map there are 13
mentioned. There is inconsistency in the names and the positions. Even maps drafted by
the Fine Arts Department, what I presume, based on excavations in the zone, shed no
light on this matter. Positions of monastic structures can be asserted, but their ancient
names will remain questioned forever.

Playing on the swing

The important ceremony of Tri Yampawai Tripawai, popularly known as Lo Chin Cha
(playing on the swing) was one of the most interesting of all Siamese State Ceremonies.
None of the seventeenth century European writers mention this ceremony, with exception
of Van Vliet, which was practiced in the Ayutthaya period. [3]

The rite was performed to pay homage to Shiva as to commemorate the God's annual
visit to the earth. Once a year the god Shiva comes down to visit this world and stays
here for ten days. He used to arrive on the seventh day of the waxing moon in the first
month and depart on the first day of the waning moon. As thus the Swinging Festival was
performed in the first lunar month, but was changed in the Ratanakosin period to the
second month. (3) It was not only an important State Ceremony in the former capitals of
Ayutthaya and Sukhothai, but was practiced in the other chief cities of the realm in
ancient times. [3]

Though Jeremias Van Vliet wrote in his 'Short History of the Kings of Siam' in 1640, that
the first swing was brought to Ayutthaya by two Brahmin priests during the reign of King
Ramathibodi II (r. 1491-1529), the royal ceremony was likely already known since the
Sukhothai period and still performed during the Ratanakosin era until the 1930's. [2]

"The king of Ramaradt therefore sent two learned brahman priests with a letter in
a friendly tone to the king of Siam asking that His Majesty forget all that had gone
before and accept him as a brother. He also instructed the brahmans that they
should make the game of schoppen or scbongelen known in Siam and to establish it
there. The Siamese king accepted the brahmans, the letter, and the proffered
peace, and sent a letter in reply establishing a friendship between both kings which
has been maintained to the present day, renewed every two to three years by means
of letters engraved in gold. Since then, various brahmans have come to Siam from
many places, especially from Ramaradt, and have continued to be held in great
esteem among the kings, princes, the royal family, and the community. At that time
the Moorish traders from the Coromandel Coast came with their cloth, which
practice continues to the present day. Scboppen or schongelen is still found today,
because there are special places set out for playing it. There are special feast days
held yearly which go on from one day to the next for a long time."

Quaritch Wales came to the conclusion that the 'swinging' was originally a solar
ceremony. He stated that there were two ceremonies of swinging known in India, and
both of these were of solar origin. His statement that the Siamese 'Lo Ching Cha' was
originally a sun ceremony was based on the following characteristics: The 'swinging'
occurred about the time of the winter solstice; It was performed from east to west, in the
direction of the course of the sun. The swing-posts were oriented out of the plane of the
transverse axis of the plaza in the centre of which they were situated so that the swinging
should be performed exactly from east to west; and finally the circular dances which
follow the swinging probably symbolize the revolution of the sun and its rebirth on the
occasion of its return to the northern hemisphere. [5]

The ceremony was originally a rite of imitative magic, intended to coerce the god Surya
into the fulfillment of his functions. It was the 'to and fro' motion of the swing which
impressed the ancients, as symbolizing the path of the sun. Quaritch wrote that - "
most noticeable and perhaps the earliest change that took place in the subsequent
history of this ceremony was the substitution of Siva for Surya ... Surya was a
Vedic god who sank to comparatively low estate in Brahmanic times, and, with the
growth of Saivism, the original meaning of the ceremony was lost, and the Great
God naturally came to usurp the place of the forgotten sun-god. The Swinging may
have come to be regarded as symbolizing the functions of Shiva as Destroyer and
Reproducer, and thus it would have retained its magical significance although now
brought more closely into connection with agriculture as one of the many Hindu
harvest festivals."
According to Siamese notions, Shiva is a jovial god who likes to be
amused; so the swinging and the acrobatic feats which accompany the procession are
devised for his entertainment. The connection between swinging and harvest probably
came into being before the arrival of the ceremony in Siam and it was probably never a
purely solar ceremony in Siam. [5]

During the Ayutthaya period the King remained in his palace on the occasion of the
swinging ceremony. The King appointed the Minister of Agriculture to impersonate
Shiva, and during the three days that the festival lasted this noble used to have almost
unlimited powers and rights over certain of the State revenues. He was, in fact, a
'temporary king' or 'temporary god' the two terms being almost synonymous in Siam. The
fact that the role of Shiva was performed by the Minister of Agriculture points to a
connection with a harvest festival. [6] The Swinging festival was made to coincide with
the new year of the Brahmans.

Wat Sao Ching Cha must have been approximately located in geographical coordinates:
14° 21' 10.48" N, 100° 34' 12.14" E.


(1) The remains of the original Bangkok 'swing' are now in the Bangkok National
Museum, while the renovated swing was installed in front of Wat Suthat in 1920. [2]
(2) Quaritch Wales wrote in 1930 that he was informed on high authority that the
question of abolition was actually considered by the Supreme Council of State. He
noticed there was little interest in the '
swinging, which meant absolutely nothing to the
modern Siamese.
' [1]
(3) It was not difficult to postpone the date of his arrival until the second month; for, as
the Brahmans, like the Pope, hold that they keep the keys of Heaven and, of course,
Shiva could not come down till they had opened the door for him. [3].


[1] Siamese State Ceremonies - Their history and function - H.G. Quaritch Wales
(1931) - page 240.
[2] Old ceremonies to be revived as Giant Swing returns - The Nation - 10 Sep 2007.
[3] Siamese State Ceremonies - Their history and function - H.G. Quaritch Wales
(1931) - page 238.
[4] Van Vliet's Siam - Chris Baker, Dhiravat Na Pombejra, Alfons Van Der Kraan &
David K. Wyatt (2005) - page 212.
[5] Siamese State Ceremonies - Their history and function - H.G. Quaritch Wales
(1931) - page 245
[6] Ibid - page 239.
Text & maps by Tricky Vandenberg
Updated May 2015
Detail of a 19th century map
Young Brahmans swinged to the height of 25 m from the ground in an attempt to grab bags of coins, that were placed on top of a bamboo pillar
(Young Brahmans swinged to the height of 25 m from
the ground in an attempt to grab bags of coins, that
were placed on top of a bamboo pillar. Some of the
young men fell to death.)
(Detail of a 19th century map - map is orientated S-N)
(Detail of Phraya Boran Rachathanin's map - Anno
1926 - Thewa Sathan indicated as Brahmin Shrine)